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Cracker Barrel’s Brand Was By no means the Drawback


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The fried chickens have come residence to roost. Cracker Barrel is reverting to its outdated emblem, fewer than 10 days after saying a brand new, stripped-down model. The following controversy has been without delay a welcome distraction from different information and an outgrowth of all essentially the most annoying impulses in American life.

The proper-wing backlash to the corporate’s redesign stems from the declare that an avatar of small-town southern authenticity is being overrun by woke tradition. However nothing concerning the change suggests wokeness. Extra vital, Cracker Barrel has all the time been a simulacrum of rural life, a company behemoth masquerading as a mom-and-pop lunch counter. (It’s to real Americana what Edward Sharpe and the Magnetic Zeros are to Clarence Ashley.) When the primary Cracker Barrel opened, in 1969, the nation was on the inflection level of an extended, steep shift towards city life. In 1940, roughly 44 % of Individuals lived in rural areas. By 1970, barely greater than 1 / 4 did. Cracker Barrel meant to capitalize on nostalgia for a lifestyle that was already disappearing.

And its eating places would hasten that disappearance. The chain was based as a approach to promote gasoline—the founder’s household was within the gasoline enterprise; its places have been (and nonetheless are) largely clustered alongside interstate highways. The interstate system is a contemporary marvel, however the creation of giant freeways that bypassed the outdated U.S. highways sapped commerce and inhabitants from cities that relied on automotive visitors, destroying actually eccentric tradition—such because the outdated Route 66—and changing it with drab chains that have been the identical, regardless of which exit ramp you took to get to them.

At Cracker Barrel, the bric-a-brac and the addictive peg sport have been meant to make prospects neglect all of that. It’s neither outdated nor a rustic retailer, it doesn’t matter what the indicators say. As an alternative, it’s of a sort with Walmart, one other native southern chain based within the Sixties—and one which, as my colleague Rogé Karma reported final yr, “makes use of its low costs to undercut rivals and grow to be the dominant participant in a given space, forcing native mom-and-pop grocers and regional chains to slash their prices or exit of enterprise altogether.”

Cracker Barrel has, nonetheless, grow to be intently related to Republican voters. The political analyst David Wasserman famous that counties with Cracker Barrels are inclined to vote extra Republican, and counties with Entire Meals shops vote extra Democratic. (Entire Meals is an ideal progressive foil to Cracker Barrel—a slick, Amazon-owned chain model of the native organic-food co-op.) The insistence that the restaurant chain had gone woke was pushed partially by the conservative consideration impresario Christopher Rufo, who’s an unlikely spokesperson for rural America: He grew up in Sacramento, California; went to varsity in Washington, D.C.; lives close to Seattle, on Puget Sound; and works on the Manhattan Institute. As in different Rufo-related information tales, figuring out the place the paranoia ends and cynical agitprop begins is tough.

However the drabness of Cracker Barrel’s rapidly deserted new emblem—and it actually was dreadful—wasn’t a sign of wokeness. (It is a firm that settled a lawsuit introduced by the George W. Bush administration over alleged violations of the Civil Rights Act of 1964.) As an alternative, the rebrand was a pure development of Cracker Barrel’s authentic mission, one other means for company leaders to sand off tough edges of vernacular tradition.

“Whether or not it’s Cracker Barrel’s Southern decor or distinct regional accents, the variations that make America such a novel place are giving approach to a monoculture that’s being pushed, deliberately or in any other case, by company and media forces,” The Federalist’s Hayden Daniel moaned earlier this month. He’s proper concerning the dismal sameness seeping into a lot of American life, however Cracker Barrel is a perpetrator, not a sufferer.

Along with the brand redesign, the chain additionally revamped the aesthetic of a few of its eating places. With its off-whites, symmetrical preparations, spare ornament, and vertical strains, this look is a model of the modern-farmhouse fashion, which has been popularized by Chip and Joanna Gaines, one other southern enterprise powerhouse. Cracker Barrel started by providing a sanitized model of the mid-century South, and now it’s merely up to date to the 2020s. The chain is only one a part of the true company monoculture. A lot of the nation now resembles a poor copy of the South, with the entire Accomplice flags however not one of the fascinating, quirky bits that make dwelling right here worthwhile.

Even with its fast reversal—and reward from the president—Cracker Barrel could take successful from this controversy. Bud Mild nonetheless hasn’t recovered after its partnership with a trans influencer incited a conservative boycott in 2023. Tropicana misplaced important market share after it redesigned its bottle in 2024. These instances present that customers could be deeply conservative in each the political and temperamental senses. However nobody ought to be fooled about what Cracker Barrel represents: It’s authentically solely an emblem of the faceless company need to enhance the underside line.

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Picture-illustration by Akshita Chandra / The Atlantic. Supply: Frazer Harrison / Getty.

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P.S.

As a result of I discussed Clarence Ashley above, I have to particularly advocate “Peg and Axe,” by the Carolina Tar Heels. Like so many individuals, I realized it from the Anthology of American People Music, which was first launched in 1952, however the music is older. Clarence Ashley and two of his bandmates lower the monitor in 1928, and the lyrics are set within the 1800s. Even so, the subject material stays well timed: It’s about jobs misplaced to automation (on this case, making footwear). However not like the people hero John Henry, one other sufferer of commercial innovation, the singer doesn’t maintain combating till he dies. He sounds simply as joyful to maneuver on to different work: “Peggin’ footwear, it ain’t no enjoyable. Throw away my pegs, my pegs, my pegs, my axe.”

— David


Rafaela Jinich contributed to this article.

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